There are worse things than working in 16-bit 44.1kHz (CD quality).Īnd I'm currently using StudioOne (and before that an LE version of ProTools), both could import standard CD files into a session with a higher bit-rate and sample-rate without affecting the pitch. It can't make data where there was none, so the algorithm has to calculate a best guess. Often conversion(s) are only going to degrade it, even if it's up-converting to theoretically higher rates. What program / process are you using to convert them?Īs much as I enjoyed learning the answer, your original post made me wonder if it was worth all the trouble - which depends on what you want to do with it. What's the end goal of the project? (CD, video, mp3) With all of that genius applied to give a definitive answer to your actual perfectly good question, may I ask a few dumb questions of my own as a follow up? ( hopefully you don't mind, because here they are )
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